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The Guardian - US
The Guardian - US
Entertainment
Jim Farber

Tony Visconti: ‘I’ve been a better record producer than I’ve been a husband’

David Bowie and Tony Visconti
David Bowie and Tony Visconti. ‘Producing should be a protective occupation. You’re there to make sure an artist’s ideal sound is recorded the way they would like to hear it.’ Photograph: Tony Visconti

In the storied London rock scene of 1969, Tony Visconti was living a dream, even if he didn’t know the full extent of it at the time. “I used to have these soirees at my apartment in Earl’s Court and, on any given night, I would have Marc Bolan and David Bowie there, and the three of us would be jamming,” he said. “I never thought to record any of that because I had no idea they were going to become legends.”

As it turned out, the music that Visconti went on to produce for both Bolan and Bowie is part of what turned them into legends. He oversaw the 10 best studio albums Bolan made with T-Rex, as well as many sets with Bowie, including such albums as The Man Who Sold the World, Young Americans, the famed Berlin trilogy, involving Low, Heroes and Lodger, as well as his final, revelatory creation, Black Star.

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