For Associated Press photographer Rodrigo Abd, a main attraction of working with a traditional Afghan box camera is the intimacy it provides with his subjects, and the slow pace that allows for a unique window into daily life.
In the years after the 2001 U.S. invasion that toppled the Taliban, the Argentine photographer spent months on assignment in Afghanistan and developed a deep affection for the country and its people. He also was fascinated by what was then a common sight: urban street photographers who made their living snapping cheap portraits, mostly for identity documents, using old-style wooden box cameras. Abd learned how to use what in Dari is called a kamra-e-faroee, or “instant camera,” a handmade box on a tripod that combines a simple camera and darkroom in one.
