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The Guardian - UK
The Guardian - UK
Lifestyle
Katy Hessel

Thrill me, hide me, restore me: what can we learn about artists from their gardens?

Welcome to nana land … Saint Phalle’s Tarot Garden in Tuscany, which she lived in for seven years.
Welcome to nana land … Saint Phalle’s Tarot Garden in Tuscany, which she lived in for seven years. Photograph: Armaroli Stefano/Alamy

‘I have a dream sometimes,” writes Olivia Laing in her new book, A Garden Against Time. “I dream I’m in a house, and discover a door I didn’t know was there. It opens into an unexpected garden, and for a weightless moment I find myself inhabiting new territory, flush with potential … What might grow here, what rare roses will I find?”

It’s a beautiful book that explores the garden as a political site – of sanctified and at times selfish seclusion in an unequal world – but also as a place of healing, hope, creativity and renewal. Melding biography with art, Laing looks at the restorative power of gardens during times of distress and plague, from planting her own during the pandemic to Derek Jarman’s Prospect Cottage in Dungeness, where he settled after his HIV diagnosis and intertwined sculpture with growing santolina.

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