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The Guardian - US
The Guardian - US
Entertainment
Charles Bramesco

This Is Spinal Tap at 40: the note-perfect rock satire still goes up to 11

Color movie still of four men dressed as rockers.
The crowning collaboration pelvic-thrusted its way into cinemas 40 years ago today. Photograph: PictureLux/The Hollywood Archive/Alamy

The bands that come together organically, without the aid of want ads or tear-off flyers stapled to telephone poles, are generally catalyzed by a mixture of chemistry, inspiration and boredom.

A few guys – more often than not, it’s still guys – hang out, realize they get along, bond through their overlapping tastes, and then grow fidgety to do something about it. Screwing around becomes noodling, noodling becomes jamming, jamming becomes something that can be passed off as a performance in exchange for beer money. For so many of the greats, rocking began as a gratifying, potentially lucrative way to goof off with one’s friends, their childhood spirit of play aged up from games to music; we can see the natural camaraderie in everything from the laddish pranksterism of A Hard Day’s Night to the hijinks on Boygenius’s social media channels. Such intimacy powers the alchemy activated when locking into a groove, an instinct-based communication coordinating several minds on a shared creative frequency. It’s one of the closest things to magic that exists on Earth.

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