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The Guardian - UK
The Guardian - UK
Entertainment
Stevie Chick

‘They taught me how to dress’: Michael Stipe on Limbo District, the greatest band you’ve never heard of

Audie the Horse with Limbo District (left to right), Jerry Ayers, Kelly Crow, Dominique Amet, Davey Stevenson. 1982.
‘Wild, perverse cabaret’ … Audie the Horse with Limbo District (left to right), Jerry Ayers, Kelly Crow, Dominique Amet, Davey Stevenson. 1982. Photograph: Marlys Lenz Cox/Chris Bilheimer

“I thought I’d landed in a hippy cowtown,” says Michael Stipe, of his first months as an art student in Athens, Georgia. “I was an urban punk rocker, and Athens seemed beige and granola; it took me a while to find my ‘people’.” But, in 1979, at the only coffee joint still open after Stipe’s nightshift at the local steakhouse, he saw “this unbelievable, almost-cartoonish trio who looked like they’d stepped out of the Weimar Republic”, he says. “I waved at them. They waved back.”

That trio – Jeremy Ayers, Davey Stevenson and Dominique Amet – later became Limbo District, the most radical group of an Athens underground scene that gave the world the B-52s, Pylon and, of course, REM. But while those bands went on to enjoy global recognition, Limbo District are forgotten. They existed for only two years, imploding messily before releasing any music. For decades, the only evidence they ever existed was several minutes’ footage in 1987 documentary Athens, GA: Inside/Out.

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