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Chicago Sun-Times
Chicago Sun-Times
National
Richard Roeper

‘The Zone of Interest’ powerfully depicts a Nazi family’s cushy life in the shadow of Auschwitz

Auschwitz looms in the background as friends and family of the camp’s commandant frolic on the other side of the fence in “The Zone of Interest.” (A24)

We are at the tastefully appointed villa of a family of considerable means, and by the looks of the wardrobe and the hairstyles and the production design, it appears the time period is mid-20th century. There’s a lovely garden in the yard, and an in-ground swimming pool as well. It appears idyllic.

The man of the house gets ready for work, but before he leaves, his wife and children surprise him with a birthday gift: a beautifully crafted canoe. A deliveryman arrives, bringing supplies for the kitchen and bundles of clothes. The woman of the house dumps a pile of blouses on a table and tells the staffers they can each pick one. Upstairs in her bedroom, she tries on a fur coat, admiring herself in the mirror. She then hands the coat to a housemaid, telling her it needs to be hemmed and cleaned.

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