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The Guardian - UK
The Guardian - UK
Entertainment
Wendy Ide

The Woman King review – a thunderously cinematic good time

The Woman King.
‘See it on the biggest screen you can find’: The Woman King. © 2021 CTMG Photograph: Ilze Kitshoff/© 2021 CTMG

Muscular in its action sequences, sweeping in scope; a big, flexing, show-off spectacle of a movie. The Woman King is the kind of historical epic that just doesn’t get made any more. And with a superb cast predominantly composed of Black women, it’s also a film that has never been made before. Gina Prince-Bythewood may not exactly rewrite the cinematic language of the action movie – there’s plenty in her approach that will seem familiar – but she does reclaim and revitalise it.

Loosely inspired by actual historical events, the film focuses on the kingdom of Dahomey, one of the most powerful states of west Africa in the 18th and 19th centuries. Protecting the King (John Boyega) and his considerable fortune is the Agojie, an all-woman army, led by a formidable general, Nanisca (a magnificent, battle-weary Viola Davis). Her closest comrades-in-arms are Amenza (Sheila Atim), a seer with the lithe grace of a gazelle and a deadly knack with a javelin, and Izogie (Lashana Lynch), a veteran who mentors one of the newest recruits to the Agojie, Nawi (Thuso Mbedu).

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