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Entertainment
Jason Best

The Unlikely Pilgrimage of Harold Fry review: British cinema can do road movies after all

Head and shoulders shot of Jim Broadbent and Penelope Wilton on the poster for The Unlikely Pilgrimage of Harold Fry

Think of the typical protagonist of a road movie and you will probably imagine someone young, rebellious and behind the wheel of a car, doubtlessly crossing the wide-open spaces of the United States. That description certainly doesn’t fit Jim Broadbent in The Unlikely Pilgrimage of Harold Fry, an entertaining British comedy-drama based on actress turned author Rachel Joyce’s bestselling, Booker-shortlisted debut novel of the same name from 2012.  

Far from putting the pedal to the metal, Broadbent’s unassuming elderly gent goes to post a letter and ends up walking 600-odd miles across England from South Devon to Berwick-upon-Tweed. Yet, although he is on foot rather than in a car, his journey is no less epic, in its own way, than the trips taken by the road-movie genre’s customary leads. And, like them, he too is on a path of self-discovery and change.

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