Kenneth Branagh is said to have played 35 Shakespearean parts, albeit back in the day. Seeing him speaking in verse these days is something of an event, all the more so when he is making a return to the Royal Shakespeare Company after more than 30 years to take on, for the first time, Shakespeare’s magician, deposed duke and tyrant occupier. Even the king turned up for it some days ago.
Branagh’s Prospero initially follows in the vein of his fast and feverish King Lear, performed in the West End in 2023. He seems to be speeding through the part rather than inhabiting it, too puckish, almost larky, rather underwhelming. It is the show itself that casts its spell through its enchanting sights, sounds and ensemble accomplishments. Richard Eyre, directing his first Shakespeare play at Stratford, does a stupendous job of bringing an overt sense of performance to the production.
