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The Guardian - UK
The Guardian - UK
Entertainment

The sound of live music: get outside London for some great gigs

Anton Newcombe of The Brian Jonestown Massacre performs at De La Warr Pavilion. Bexhill, East Sussex, United Kingdom. 1st February 2025
Anton Newcombe of the Brian Jonestown Massacre performs at the De La Warr Pavilion, Bexhill, East Sussex last year. Photograph: Peter Flude/The Guardian

What an ungenerous assessment of live music by Sasha Mistlin (The hill I will die on: Going to a gig is an endurance test, 20 June). As the relatively new owner of an independent live music venue, I can tell you that the joyous experience of coming together for a gig is alive and kicking on a weekly basis. Yes, the economic environment for hospitality in general, and grassroots music in particular, makes it really tough – but that just strengthens our resolve to put on great shows.

Perhaps Mistlin has just not experienced many gigs outside central London and the big festivals. I used to shuttle regularly between London, Hull and Newcastle, often seeing the same band two or three times in a week. Spoiled London audiences are far more cynical and unresponsive than those of us off the beaten track. I watched the incredibly talented Anton Newcombe play a 30-minute encore to a rapturous audience in Newcastle on a Tuesday and then return for one song to a muted crowd in London the next day. Same quality of gig, different quality of audience. You get out of it what you put in.

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