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The Guardian - UK
The Guardian - UK
Entertainment
Anya Ryan

The Sleeping Sword review – Morpurgo fable transformed into scrapbook of wonder

Swordplay … Aarian Mehrabani and Kirsty Ferriggi in The Sleeping Sword.
Swordplay … Aarian Mehrabani and Kirsty Ferriggi in The Sleeping Sword. Photograph: Mark Senior

Michael Morpurgo’s enchanting 2002 take on Arthurian legend follows 10-year-old Bun as he comes to terms with sudden blindness after a head injury. Adapted for the stage by Tatty Hennessy, this production takes the fabled charm of Morpurgo’s novel – set in Bryher in the Isles of Scilly – and pushes it further, transforming it into a sensory adventure.

First we are greeted by a disembodied audiobook narrator who describes the intricacies of the baby blue bedroom set, designed by Louise Worrall. Here, Bun (Aarian Mehrabani) plans to record his own original story on a cassette, with the help of Viv (Kirsty Ferriggi), his SEN teacher, and his friend Anna (Tika Mu’Tamir). This story is a mythical journey where the happenings of Bun’s favourite book, The Legend of King Arthur, start to creep into his reality, eventually helping him to accept that his life “is only just beginning”.

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