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Donna West Brett, Associate Professor in Art History, University of Sydney

The sensuous, yet unsettling: remembering the groundbreaking Australian photographer Rosemary Laing

A ‘swansong’ is a metaphor for an action or a performance prior to an ending. The term conveys the notion of something both grand and final.

This was the opening paragraph, written by curator Victoria Lynn, for the catalogue accompanying Rosemary Laing’s exhibition swansongs, at Tolarno Galleries in March of this year. Ironically the title was apt. It was Laing’s last exhibition before her untimely death after a short illness at age 65.

The Australian photographer and former educator originally trained as a painter and brought a certain sensibility of the painter’s hand to her practice.

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