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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

The Roses review – dieback blights Colman and Cumberbatch remake

Olivia Colman and Benedict Cumberbatch in The Roses.
Cinema’s Borg v McEnroe … Olivia Colman (left) and Benedict Cumberbatch in The Roses. Photograph: Jaap Buitendijk

Olivia Colman and Benedict Cumberbatch, the two most prestigious English screen actors in the world, resoundingly butt heads in this feel-bad movie; it is oddly, but not uninterestingly, composed throughout in feelgood romcom style. In casting terms, this is a Borg-McEnroe 10-set tie-break leading to play being suspended even as the leads bring every microlitre of their technique to the game.

They play Ivy and Theo, two high-achieving professionals whose marriage becomes a black-comic Chornobyl of toxic hate; it is adapted from the 1981 novel The War of the Roses by Warren Adler, which was previously filmed in 1989 with Kathleen Turner and Michael Douglas. Tony McNamara writes this new version and the director is Jay Roach, known for Austin Powers and Meet the Parents. Colman and Cumberbatch are acting black-belts and they are never anything other than watchable, but as they shout and wince and snap and zing their way through the dialogue, it’s difficult to believe that they really love each other; and then later really hate each other. The film loses its nerve on this latter point.

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