When voters in Makerfield head to the polls next week, their decision, as is increasingly the case across the nation, may come down to this: whether to be more swayed by a hopeful vision of the UK or by a narrative that defines the country as little more than the most shocking thing they have seen on their phone that day.
That quandary has been sharpened by something that has quietly become a regular fixture of social media: members of the public are now consistently fed a stream of exceptional images and videos that once might have only been seen by investigators or from the inside of a courtroom. It is so regular that it has become banalised, whether it’s of robbers smashing up a jewellery shop, or of extreme and graphic assaults akin to snuff films.
