Entering The Raw and the Cooked at the Saatchi Gallery in London, you are faced with a single enormous painting that occupies the whole of the opposite wall. The Punishment of Richard Roose (2026) is a magnificently anachronistic project: a museum-scale picture of a fairly obscure episode of English history.
Stiff, stylised, life-sized figures stand against a plain background in this painting by Harry Jones London, curator of the exhibition.