August Wilson’s The Piano Lesson is not a comedy. It has comedic moments, pockets of respite that Wilson’s characters lull in and out of. But the latest revival, under the direction of LaTanya Richardson Jackson, is a-textual. Wilson’s seminal work is tonally misread, flattened into a sitcom about a haunted piano versus a family struggling to forge anew amid their past.
The Charles family is wading in grief, deluges of trauma rotting its roots.