Speaking over footage filmed at the funeral of a female army commander, documentary-maker Maryam Ebrahimi notes that it’s the first time she has seen women carrying a coffin in the Middle East. As they move through crowd of mourners, she adds: “Their sisterhood amazes me.” Ebrahimi is talking about the women of Rojava, the Kurdish-led autonomous socialist region in northern Syria. At the cemetery, the women dig the soil with their bare hands; it is a tradition in Rojava, a final act of solidarity with their fallen sister.
Ebrahimi’s tender, gentle film is about a home for injured army veterans in Rojava; most are survivors of the war against Islamic State (IS). The house is mixed genders; one of the men living there is Fadakhar, who has had both his legs amputated and is haunted at night by phantom itches and pains. Mostly, though, Ebrahimi’s gaze is drawn to the female veterans, who made headlines a decade ago for their courage on the battlefield. We learn that women started leaving their villages to fight IS in 2011 – though in truth a little more background about the history of Kurdish all-female battalions might have been helpful.
