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The Guardian - UK
The Guardian - UK
Entertainment
Arifa Akbar

The Passenger review – wartime drama has a noirish haze but no real darkness

An angry man wearing a Nazi armband grips another man's arm
Robert Neumark Jones (Otto Silbermann) and Eric MacLennan (Theo Findler) in The Passenger. Photograph: Tristram Kenton/The Guardian

A wealthy Jewish businessman takes a series of Kafkaesque journeys on the German train system soon after Kristallnacht, driven from his home and in flight for his life. Otto Silbermann never makes it out of the country but – maddeningly – loops round and round, stuck in the trap of rising Nazi terror and afraid of every passenger he meets. He carries a suitcase of money, the last vestige of power he has in a homeland that has turned against Jews.

The Passenger is based on Ulrich Alexander Boschwitz’s novel, which was written at blazing speed when Boschwitz, himself a German Jew, was just 23. His manuscript was discovered decades after his death in 1942, at the age of 27.

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