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The Guardian - AU
The Guardian - AU
Entertainment
Brogan Morris

The Parallax View: remember when Hollywood made potent political cinema?

The Parallax View ‘plays like an airport novel that’s been deep-fried in conspiracy theories and post-counterculture cynicism’.
The Parallax View ‘plays like an airport novel that’s been deep-fried in conspiracy theories and post-counterculture cynicism’. Photograph: Ronald Grant Archive

Watching Hollywood cinema in 2026 can make for a curious experience. Take a look out the window and you’ll notice that the US, and indeed the world, is in a polycrisis – though you’d hardly know it from the films at the multiplex. The odd timely picture aside, Hollywood today directly engages with the present moment only rarely; more Minecraft Movie than One Battle After Another.

In the 70s, when things were arguably last in a comparably sorry state – Kent State, Vietnam and Watergate for the US, economic crises and violent acts of world revolution globally – popular cinema responded very differently. Out of the establishment-sceptical New Hollywood that emerged after the demise of the Hays code, there came a wave of confronting social and political dramas, strongly allegorical sci-fi and paranoid thrillers, including one of the most deliriously entertaining examples of the latter ever made: The Parallax View.

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