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The Guardian - UK
The Guardian - UK
Entertainment
Arifa Akbar

The Mongol Khan review – a spectacular, swashbuckling tale of succession

Crash, bang, wallop … The Mongol Khan.
Crash, bang, wallop … The Mongol Khan. Photograph: Kin Cheung/AP

This show, about the glories of ancient nomadic empire, comes galloping from Mongolia like a magnificently over-the-top Cultural Olympiad. Set more than 2,000 years ago, before Genghis Khan’s almighty reign on the central Asian steppe, it begins with two exquisite dancing foxes and expands to a formidable 70-plus cast of singers, dancers, acrobats and contortionists who dazzle even if the story itself is ponderous.

Adapted from a three-act tragedy by Lkhagvasuren Bavuu, it follows the fictional story of Archug Khan (Erdenebileg Ganbold). King of the Hunnus, or Huns, he is caught in a succession dilemma when his wife (Uranchimeg Urtnasan) and his consort (Dulguun Odkhuu) each give birth to a future heir. This sets off a drama of betrayal, adultery and the switching of two babies in a bid for the throne.

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