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The Guardian - US
The Guardian - US
Entertainment
Radheyan Simonpillai

The Lowdown review – Ethan Hawke is terrific in playful neo-noir series

a man in a tan cowboy hat and plaid  shirt holds a paper
Ethan Hawke in The Lowdown. Photograph: FX

Ethan Hawke is hilariously raccoon-like in The Lowdown; not just because his hair is all scraggly grey-and-black, and usually in various states of disarray depending on whether his Lee Raybon is crawling out from the wrong side of the bed or the trunk of some neo-Nazi’s car.

A freelance journalist by trade (among other things), Lee is the self-appointed gumshoe in creator Sterlin Harjo’s deliciously pulpy and deceptively lighthearted noir caper. He sniffs around Tulsa, Oklahoma, digs through people’s trash, repeatedly makes a mess of things and mostly gets hostile responses from the people who have the misfortune of crossing paths with him (pretty much the world a raccoon lives in). But, every so often, someone will find Lee adorable or sympathetic enough that they just might lend him a helping hand, or even take him to bed with them.

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