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The Guardian - UK
The Guardian - UK
Entertainment
Chris Wiegand

The Lodger review – ingenious penny dreadful take on Hitchcock’s foggy mystery

Exaggerated silent-film performances … Flywheel’s The Lodger.
Exaggerated silent-film performances … Rachel Bardwell, Keziah Hayes and Charlie Woodward in Flywheel’s The Lodger. Photograph: Miranda Mazzarella

Rep theatre is alive and well in this pub attic, where Flywheel are midway through a six-play season. In between last week’s Lysistrata and next week’s Pygmalion is The Lodger, in a version combining Marie Belloc Lowndes’ 1913 novel with Alfred Hitchcock’s 1927 film and adding its own mysteries.

Shadow puppetry is used throughout, evoking luridly illustrated penny dreadfuls and silent cinema, with homages to Hitchcock’s title cards. A killer known as the Avenger is at large: the victims are fair-haired women, their murders on Tuesdays. At one London boarding house – No 13, natch – a lodger (Charlie Woodward) comes under suspicion, a detective (Gabriel Lumsden) gets to work and golden-curled Daisy (Keziah Hayes) is caught between them under the gaze of a maid (Rachel Bardwell).

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