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The Guardian - UK
The Guardian - UK
Entertainment
Chris Wiegand

The Little Mermaid review – underwater wonders cast a spell in mid-air

Harrison Sweeney, Elliot Goodhill, Melaina Pecorini and  Rhiannon Skerritt in The Little Mermaid at the New Vic theatre, Newcastle-under-Lyme.
Making waves … Harrison Sweeney (top) and (l to r) Elliot Goodhill, Melaina Pecorini and Rhiannon Skerritt in The Little Mermaid at the New Vic theatre. Photograph: Andrew Billington

The Little Mermaid is big business this Christmas, with versions of Hans Christian Andersen’s fairytale at Hull Truck, Nottingham Playhouse and Newbury’s Watermill, all buoyed perhaps by Disney’s 2023 blockbuster. Adapter Theresa Heskins and her co-director, Vicki Dela Amedume, present theirs as an all-ages gig-theatre show. We’re even introduced to each member of a house band nestled among the audience before meeting the main characters.

Rhiannon Skerritt plays the title role, here named Coralie, in a production that accentuates how Andersen made her the littlest of several merfolk. The romance isn’t entirely extinguished but the power of siblinghood rises to the surface instead in this telling, which also stresses the suspicion and division between the inhabitants of land and water.

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