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The Conversation
Dan Rebellato, Professor of Contemporary Theatre in the Department of Drama, Theatre and Dance Creative Writing and Practice-based Research, Royal Holloway University of London

The Lady from the Sea: a fierce play that shies from the wonderful unknowability of Henrik Ibsen’s original

Henrik Ibsen’s 19th-century play about a woman caught between a stormy past and respectable present has been reimagined for the 21st century in a new production at the Bridge Theatre, London.

This new adaptation arrives bristling with contemporary relevance. Writer and director Simon Stone has included references to Beyoncé and Just Stop Oil activism. It also features a millennial protagonist wrestling with climate anxiety.

Ellida is married to Edward, a doctor, who has two daughters, Asa and Hilda, from a first marriage that ended in their mother’s suicide. But Ellida has secrets, and they’re starting to come out. The first is a history of teenage climate activism. The second is an older man, Finn (Brendan Cowell), someone who was both guru and predator to her in her youth. When he returns, Ellida has a decision to make.

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