In his lifetime, pioneering German sound recordist Ludwig Koch’s heavily accented voice was as familiar to British audiences as David Attenborough’s is today. His tireless passion for capturing birdsong and bringing it first into German and, after his exile from Nazi Germany, British homes via sound books and BBC radio, made him a household name from the late 1930s onwards.
He was celebrated beyond his life, parodied by Peter Sellers (playing Koch observing life at a Glasgow traffic junction) and immortalised in Penelope Fitzgerald’s 1980 novel Human Voices, about the wartime BBC, which depicts Koch’s assiduous approach to capturing natural sounds and indirectly highlights how the organisation benefited from new voices like his.
