For a limited season this autumn, Christopher Marlowe will become a star of the London stage again. Enjoy it while you can, for Marlowe has become an ephemeral figure in Britain’s national culture. His plays, once staples, are now produced only intermittently, if at all. Today, Marlowe is probably better known for his dramatic death, stabbed in a London riverside tavern, than for anything he wrote or for being the literary pioneer that he was.
From next week, however, the sexy and brilliant figure of Kit Marlowe will be the centrepiece character, played by Ncuti Gatwa, in Liz Duffy Adams’s two-hander, Born With Teeth, which is currently in previews in the West End, with its offical opening next week. The play teases with the possibility, first reported in this newspaper in 2016, that Marlowe and William Shakespeare, played by Edward Bluemel, collaborated on writing parts of the Henry VI trilogy. But not just that. Perhaps the two playwrights, both born in 1564, were lovers. And perhaps Shakespeare even had a hand in Marlowe’s murder in 1593.
