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Ben Rogerson

“The groove was a kind of blues groove, and I think I drank a beer, because I wanted to have a kind of slurring sound in my voice”: Stevie Wonder reveals how he recorded the classic Moog synth bassline and “laidback” vocals on Boogie On Reggae Woman

Stevie Wonder.

If you were putting together a list of the greatest synth bass parts of all time, the one from Stevie Wonder’s Boogie On Reggae Woman - taken from 1974 album Fulfillingness' First Finale - would have to be on there.

Played by Stevie on a Moog synth, not only is it a great sound, but it’s also full of slides, bends and a ridiculous amount of groove.

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