One hundred years after its publication, F. Scott Fitzgerald’s third novel, The Great Gatsby – the story of nouveau riche Jay Gatsby’s obsessive quest to win back his lost love, Daisy Buchanan – is best remembered for its depiction of America’s Jazz Age excess, especially through Gatsby’s wildly extravagant parties.
Readers might also focus on moral questions raised about America’s class and racial divisions, the fundamental inequalities that hinder social progress, and the faulty-but-compelling promise of what a decade later was labelled “the American dream”. These are compelling themes within Fitzgerald’s tightly constructed and brilliantly expressed novel.
Yet for all of its emphasis on national concerns, the book also contains subject matter of more universal value.
