Elizabeth Jane Howard’s beloved family saga the Cazalet Chronicles spans three decades in the life of the upper-middle-class Cazalet family. The first four books, written in the 1990s, run from a bucolic prewar 1937 to a bruising 1947, while the fifth, 2013’s All Change, skips ahead, sitting lonely in 1956. The books are exquisite doll’s houses of feeling and object: both period detail and eternal emotion are rendered precisely and vigorously in Howard’s lovely prose. “Panoramic, expansive, intriguing as social history and generous in their storytelling,” Hilary Mantel wrote in the Guardian. The enormous cast of characters – four late-Victorian siblings, their parents, their children and partners and ex-partners and servants and friends and lovers and enemies and cars and houses – sprawl deliciously over the years. The family fortunes rise and fall. Marriages fail; deaths occur; babies are born; people fall in love. Things change; things stay the same.
Written a decade after the death of the original author, The Golden Hours by Louisa Young adds a sixth to this quintet. As with all Cazalet novels, to describe the plot would be impossible: it is simply that many people, whom we have come to love over the course of the previous novels, live their lives, now in the early 1960s.
