A Claudia Karvan-led revival of Edward Albee’s taboo-prodding 2002 play, The Goat, Or Who Is Sylvia?, sees a happy, perfect family shattered by an unthinkable revelation.
Between the polished concrete floor, tasteful wooden beams, trending midcentury furniture and shelves of carefully arranged books, pot plants and ceramics, the Dunstan Playhouse stage could have been lifted straight out of Architectural Digest. It’s all so tasteful and curated – the aesthetics of affluence, with nothing out of place.