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The Guardian - UK
The Guardian - UK
Entertainment
Kate Wyver

The Glow review – myth and history collide in a sci-fi spine-tingler

Spooky spectacle … The Glow is designed by Merle Hensel.
Spooky spectacle … The Glow is designed by Merle Hensel. Photograph: Manuel Harlan

With a slowly unravelled mystery at its centre, Alistair McDowall’s uncanny new play delights in alien time fractures, the chaos of humanity and the unifying feeling of intense loneliness. This is, essentially, a rag-tag episode of Doctor Who.

We start with a Victorian medium (an elegantly cruel Rakie Ayola) attempting to contact the dead. When the woman she’s using in her experiments (a chained-up, mud-splattered stranger stolen in the night, played by Ria Zmitrowicz) appears to become possessed, the medium takes it as confirmation of her powers. But she has simply lucked out with her victim, choosing a woman whose being is connected to death and a world in-between time.

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