The lust for life Corral and Walter have at the end of Jim Cartwright’s new play is the same as they have at the start. The difference is age. The young friends who flee their Lancashire mill town for swinging 60s London have the same swagger and opportunism as the estranged couple we find at the end, begrudgingly making amends before it is too late.
Lives full of incident have not dented their appetite for us-against-the-world experience, even if slacks and slippers have taken the place of the Mary Quant dress.
