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The Guardian - AU
The Guardian - AU
Lifestyle
Walter Marsh

The ‘dangerous’ Australian women whose art was dismissed, forgotten – and even set on fire

Hilda Rix Nicholas’s painting Une Australienne, depicting a woman wearing a black fur coat and an orange scarf
Hilda Rix Nicholas’s 1926 painting Une Australienne, one of the works featured in Dangerously Modern: Australian Women Artists in Europe 1890-1940 at the Art Gallery of South Australia. Photograph: Bronwyn Wright/National Gallery of Australia, Canberra

When Justine Kong Sing stepped off a steamship into Edwardian London, the Nundle-born daughter of a Chinese merchant could tell straight away she was a long way from Australia: amid the “roar and rush” of the city, no one seemed to notice her.

“In the colonies, where foreigners are treated differently, an Oriental suffers keenly the mortification of being stared at, and often assaulted, because of his color!” she wrote in a widely published account.

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