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Salon
Salon
Henry Kurkowski

The dance floor was never just an escape

When progressive political commentator Keith Edwards recently turned the New York City Pride March into a two-hour livestream of queer joy, he put a name on what he was doing. The GLAAD-backed broadcast was built, in part, for people watching alone in states where Pride can feel dangerous. “One of the most radical things you can do in a moment of extreme fear and a moment of authoritarianism,” he told The Advocate, “is to experience joy and happiness.”

Weeks earlier, RuPaul had posted that the only response to fascism was to party and dance, and was sharply criticized for it. Two moments, weeks apart, but the same uneasy question beneath both of them: Is joy resistance? Or is it what we call avoidance when we want avoidance to sound principled?

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