Just when the TV market seems like it’s approaching a Scandi noir saturation point, along comes a drama that makes you fall for the genre all over again – even if it has relocated the original Swedish story to the West Country.
Enter The Crow Girl: a series that is as dark, chilly and foreboding as a Nordic winter, with the camera filters to match. Bristol has never looked so unappealing – set in the depths of winter, it’s been transformed from a vibrant city into warren of bleak streets, where a serial killer could lurk around any corner.
