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The Guardian - UK
The Guardian - UK
Entertainment
Cath Clarke

The Book of Vision review – dreamlike drama treads fine line between Terrence Malick homage and parody

Like a Vermeer come to life … Lotte Verbeek in The Book of Vision
Like a Vermeer come to life … Lotte Verbeek in The Book of Vision Photograph: Film PR handout

Terrence Malick is an executive producer of this arthouse drama – and a poster of his 1973 classic Badlands hangs on the wall of an apartment in one scene. I suspect The Book of Vision’s director Carlo Hintermann might be Malick’s number one fan. He once made a documentary about Malick, and was a producer on Tree of Life. This film is his feature debut, and depending on your point of view, it could feel like either a parody of or homage to his film-making hero.

The plot flits between the 18th century and now, with the same actors appearing in both. In slightly refrigerated present-day scenes, Lotte Verbeek plays a surgeon, Eva, who has become obsessed with an 18th-century Prussian physician. This is a Dr Anmuth, who believed that understanding the dreams and inner lives of his patients could help heal their physical aliments. Eva is also secretly pregnant, but she’s living with a heart condition. So her own doctor, magnetically played by Charles Dance, recommends a termination.

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