Assembling the striking imagery provided by the cinematographer - catch up with the best shots as chosen by award-winning cinematographer Jomo Fray - is the editor who must do some in an unobtrusive manner unless the desired visual language is to draw attention to how shots transition from one to another.
Receiving an Oscar nomination for L.A. Confidential for weaving what initially appear to be three unrelated stories into a singular conclusion is Peter Honess, with other significant contributions being The Russia House, Rob Roy, The Fast and the Furious, Harry Potter and the Chamber of Secrets, and Troy.
