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John Wyver, Professor of the Arts on Screen, University of Westminster

The BBC once made the arts ‘utterly central’ to television – 100 years later they’re almost invisible

On the evening of January 26 1926, members of the Royal Institution and other guests climbed three flights of draughty stairs to a tiny workshop in Soho’s Frith Street. They were there to witness the first public presentation of what inventor John Logie Baird called “true television”. A hundred years later, we are now marking the centenary of British television.

Throughout the following 13 years, until the second world war imposed a seven-year hiatus, television developed rapidly. From November 1936 onwards, a regular “high definition” service was transmitted from the BBC’s television station at Alexandra Palace. Alongside countless variety performances and outside broadcasts of pageantry and sports, television established a productively rich relationship with the arts of 1930s Britain.

More than 300 plays were broadcast in these years, including productions of William Shakespeare, George Bernard Shaw and Noel Coward, with appearances by Laurence Olivier, Ralph Richardson, Valerie Hobson and Sybil Thorndike among many others. West End productions were restaged in the studio and outside broadcast cameras relayed shows such as J.B. Priestley’s When We Are Married, and the Lupino Lane musical comedy Me and My Girl, to tens of thousands of viewers across London.

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