Fifty years ago, a dive bar in New York’s East Village started to attract attention as a new hub for rock music. Initially, this was a whisper conveyed in a handful of small-circulation music magazines. Then, celebrated musicians, record label executives, hip journalists and photographers, followed by the influencers of that era, began making a beeline for 315 Bowery, the home of CBGB.
Inside, an array of young, unknown artists were making music that would change rock’s sound and look, attitude and aesthetic. These outsiders created a template for punk, spoken word, powerpop, new wave, no wave, mutant funk, hardcore and so much more besides.
