Get all your news in one place.
100's of premium titles.
One app.
Start reading
The Guardian - AU
The Guardian - AU
Entertainment
Michael Hann

The Band’s Robbie Robertson captured a dream of what America was, is and might be

Robbie Robertson (right), with director Martin Scorsese before they presented the film Last Waltz, at the 31st Cannes International Film Festival. When Martin Scorsese premieres his latest film,
Robbie Robertson (right) with director Martin Scorsese at the Cannes film festival in 1978 before they presented the concert documentary The Last Waltz, about Canadian American rock group the Band. Photograph: AP

Robbie Robertson existed in a world of his own: a bandleader who didn’t front his band; a songwriter who needed the voice of others to bring his creations to life; someone who was intimately involved as first Bob Dylan and then the Band reached the zenith of their artistry, helping to reconfigure the possibilities of rock’n’roll twice within three years, without ever being quite as celebrated as artists who plainly regarded him as their peer.

His legacy will endure as a songwriter, above all. Robertson was fortunate to have Levon Helm, Rick Danko, Richard Manuel and Garth Hudson to interpret the songs he wrote for the Band, especially across their stellar opening trio of albums: Music from Big Pink, The Band and Stage Fright. Robertson, a Canadian, captured in both his musical and lyrical choices an imagined American South – one that could have been captured only by someone besotted with, but not born of, the complications of history.

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.