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The Guardian - UK
The Guardian - UK
Entertainment
Rachel Aroesti

Taylor Swift: 1989 (Taylor’s Version) review – subtle bonus tracks add new depths to a classic

Still shaking it off … Taylor Swift performing on the Eras tour.
Still shaking it off … Taylor Swift performing on the Eras tour. Photograph: Kevin Mazur/Getty Images for TAS Rights Management

It’s over for the doubters: you just can’t argue with Taylor Swift any more. You can’t argue with her fanbase, immaculately devout and mind-bogglingly populous. You can’t argue with her songcraft: masterfully generic in a sonic sense; startlingly distinctive in a lyrical one. You can’t argue with her positive impact on the lives of her devotees. Or on everyone else: it’s estimated that her current Eras tour could contribute around $5bn to the US economy. You can’t argue with the statistics in any arena, in fact. Released only a fortnight ago, the movie version of Eras is already the highest grossing concert film of all time, by a significant margin.

The artwork for 1989 (Taylor’s Version).
The artwork for 1989 (Taylor’s Version). Photograph: AP
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