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The Guardian - UK
The Guardian - UK
Lifestyle
Eddy Frankel

Tala Madani: Daughter BWASM review – filthy pot shots from a bad mum and her AI offspring

Childish and confrontational … Tala Madani’s DWASM (Teddy).
Childish and confrontational … Tala Madani’s DWASM (Teddy). Photograph: Fredrik Nilsen Studio/Tala Madani; courtesy the artist and Pilar Corrias, London

What’s the opposite of perfect? Well, shit, according to Tala Madani. For years now the Iranian-born US artist has been painting Shit Mom, a fetid smear of a human figure intended as a subversion of feminine, maternal ideals. And in the painter’s latest show, Shit Mom has a new child in her care: she has adopted an AI daughter.

The rub is immediately obvious: the AI robot represents perfection; Shit Mom its impossibility. As they interact across the canvases, the gleaming mechanical perfection of the daughter – born motherless, hence the show’s title “Daughter BWASM”, or Born Without a Shit Mom – gets streaked with smudges of filthy brown. The more the mum cares for her daughter, the more she taints her. The robot can’t avoid getting moulded in her mother’s image.

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