More than a decade has passed since Tacita Dean staged her immense work FILM in Tate Modern’s cavernous Turbine Hall – a work she described as an act of mourning for the demise of film and an argument for its future.
When we meet, Dean appears at least temporarily out of mourning for the medium which has earned her multiple international accolades, and seen her named by Washington Post art critic, Blake Gopnik, as one of the 10 most important artists of today.
