At this point, it doesn’t matter how Napoleon does. Critics might love it or critics might hate it. It might crater at the box office, or it might single-handedly resuscitate the theatrical viewing experience. It really doesn’t matter a jot. Because what does matter is that Napoleon is a Ridley Scott film, and this means that Ridley Scott has to talk in public again, and this by far the most important thing. Because Ridley Scott talking about anything in public is wonderful.
Even better, it seems as though Ridley Scott has got wind that, while most people seem to love Napoleon, some people don’t. As such, he has become a little defensive. This is the best possible news for all of us.
