In Graham Little’s uncanny world – currently on show at The FLAG Art Foundation in New York – reality is almost imperceptibly skewed and figures, presiding over tea tables or posing for portraits, are almost familiar. The Scottish artist riffs on the rich worlds that populated late 20th-century advertising and 1960s fashion photography for his impeccably designed rooms, in which gorgeously clothed people self-consciously reside.
‘It has always felt important for me to listen to the imagined desires and feelings of the models and stylists of the source material,’ says Little on the intertwining of cultural references throughout his work. ‘I prefer to help them build those worlds and expressions instead of my own. Sublimation of my fears and my concerns for how everyone manages and copes in life.’
