America was built by men like Robert Grainier, the stoical lumberjack at the heart of Train Dreams. Grainier cuts the trees and tames the forest and lays the ground for railroads and towns. Technically, then, Train Dreams is a western. But he never once ropes a steer, shoots a bandit or circles the wagons ahead of a Comanche attack on the plains. The small print tells a different kind of story.
It was a hard film to pitch, admits the actor Joel Edgerton: an uphill struggle; plenty of studio trepidation. “You go into the meeting and say: ‘Well, it’s a movie about a guy who’s not really making choices for himself. He’s kind of pushed around by life.’”
