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The Guardian - US
The Guardian - US
Entertainment
Andrew Lawrence

Straw review – Taraji P Henson rises above Tyler Perry’s tortured Netflix thriller

a woman in a vest with a nametag
Taraji P Henson in Straw. Photograph: Chip Bergmann/Perry Well Films 2/Courtesy Netflix

Tyler Perry is not beating the allegations. For decades, the content-creating studio chief has been roundly criticized for making the traumatization of Black women a persistent theme in his work. In Straw, his latest exercise in misogynoir for Netflix, he pulls out all the stops to break the camel’s back.

The guinea pig for this cultural stress test is Janiyah (Taraji P Henson), an apex Perry caricature who is past the point of exhaustion. Her loud, hot and dumpy apartment isn’t all that keeps her in perennial discomfort. There’s also a precocious young daughter (Gabrielle E Jackson) with nagging medical issues, and that eviction notice on the dining table. She can’t make ends meet despite working three jobs, and her cashier’s position at the local food desert grocery store is especially thankless. When an angry customer spikes a bottle of fizzy drink at Janiyah’s feet, her boss orders her to stand down from her busy checkout lane to clean up the mess. When Janiyah unwittingly cuts off an undercover cop in traffic after begging off the register to run a quick errand, he throws his ice coffee drink at her car and threatens to “find a legal way to blow your brains out”.

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