
“Sometimes, dead is better.” That line, famously uttered by an elderly Jud Crandall in Stephen King’s 1983 horror classic, Pet Sematary, is spoken aloud not just once, but twice in director Lindsey Anderson Beer’s Pet Sematary: Bloodlines. The film, a prequel set several decades before the events of King’s novel, goes out of its way to demonstrate all the horrifying and ghoulish consequences that can arise from trying to reverse something as permanent and natural as death. And yet, the film never takes its own words to heart.