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Los Angeles Times
Los Angeles Times
Entertainment
Robert Lloyd

‘Star Trek’ underutilized Nichelle Nichols. She was its heart and soul anyway

The original “Star Trek” may have been canceled in 1969, but it is still with us. That three seasons of a television series could in those days produce 79 episodes led to a healthy life in syndication, which brought the voyagers of the starship Enterprise new generations of viewers and led to the creation of a dedicated fandom, multiple ongoing conventions and the eventual creation of a franchise that continues to pay respect to the original.

As communications officer Lt. Uhura (the first name Nyota was a later addition), Nichelle Nichols, who died Saturday at the age of 89, was with the show from first to last, including the subsequent “Star Trek: The Animated Series” and six feature films built around the original cast. Nichols was an elegant, poised performer — she was a trained dancer who held herself like one, just sitting at her console, one leg forward, one leg back, one hand to her earpiece — and in a series in which overacting can sometimes seem like the baseline, she never did too much. But Uhura was far more than a character in a television show, just as Nichols was something more than an actor: They were inspirational figures of historical import, both the player and the part, models of dignity who pointed to a better future simply by doing their jobs.

While racism was a recurring theme on “Star Trek,” Earth in the 23rd century is portrayed as having moved beyond prejudice, and so within the context of the series there is nothing extraordinary about a Black woman in a position of responsibility — Nichols has described Uhura as “fourth in command” — which is exactly what made it extraordinary in the context of late 1960s television.

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