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The Guardian - UK
The Guardian - UK
Entertainment
Alexis Petridis

St Vincent: All Born Screaming review – the unmasking of a great American songwriter

Back to black … St Vincent
Back to black … St Vincent. Photograph: Alex Da Corte

The cover of St Vincent’s previous album, Daddy’s Home, featured Annie Clark in character: heavy eye-make up, ripped stockings, blond wig – the “benzo beauty queen” who haunted a number of songs.

Well, of course it did. Clark once released an album called Actor, and role-playing is very much her thing: the prosthetics-heavy “grotesque beast” on the sleeve of her David Byrne collaboration, Love This Giant; a “cult leader” for her eponymous 2014 album; the vertiginously heeled “dominatrix in a mental asylum” of 2017’s Masseduction. But curiously, Daddy’s Home also contained a song that appeared to question the wisdom of adopting personae at all. “So, who am I trying to be?” wondered The Melting of the Sun, before lauding a succession of confessional singer-songwriters: “Saint Joni” who wasn’t a “phony”, “brave” Tori Amos, “proud” Nina Simone. “But me, I never cried,” it added, “to tell the truth, I lied.”

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